Catalogue Raisonné
The Invisibles — An AIgraphy Series by parus
31 Works · 2026
Remnants of Presence
Überbleibsel der Präsenz
A seated porcelain figure whose body glows in cool, radiant light. Beneath her, golden particles of light scatter like memory fragments or the remnants of a presence that is dissolving.
Under Scrutiny
Unter Beobachtung
A single porcelain figure stands beneath an arch of luminous eyes — a surveillance architecture that observes without judgment. The work explores the tension between visibility and privacy.
Luminous Lean
Leuchtende Neigung
Two porcelain figures lean against each other, both luminous and vulnerable. The work explores intimacy in the transparency society — how genuine connection emerges when everything is visible.
The Temperature of Us
Die Temperatur von uns
Two porcelain figures embrace in soft light. One face is visible and delicate, the other dissolves into abstraction. The work explores human warmth in the age of total visibility.
The Threshold of Silence
Die Schwelle der Stille
Two porcelain figures stand separated by a luminous line — a threshold that simultaneously divides and connects. The work explores the paradox of modern intimacy.
The Architecture of Distance
Die Architektur der Distanz
A group of porcelain figures moving away from each other in geometric arrangement. The work explores the spatial and emotional distance between individuals.
Ancestral Echo
Ahnen-Widerhall
A row of porcelain figures holding hands, stepping from light into darkness. The work connects generations in a chain that simultaneously dissolves.
Grid of Anonymity
Gitter der Anonymität
A matrix of identical porcelain heads arranged in geometric order. Each figure is interchangeable, yet each carries a subtle variation of light.
The Overlapping
Die Überlagerung
Three porcelain heads merge and overlap, their boundaries dissolving in luminous seams. The work explores the threshold between unity and multiplicity.
The Triad
Die Triade
Three porcelain heads grow from a single body, each gazing in a different direction. The work explores the multiplicity of the self — the many voices that coexist within a single consciousness.
The Pentad
Die Pentade
Five porcelain heads grow from a single body, forming a radiant constellation. The work extends the exploration of the multiplicity of the self.
The Vanishing
Das Verschwinden
A single figure stands as a dark silhouette before a radiant, overwhelming light. The work captures the moment just before complete obliteration.
The Luminous Touch
Die leuchtende Berührung
Two figures stand facing each other, their foreheads touching gently, and from this contact a radiant light emerges. Intimacy as a source of light.
The Shelter
Die Zuflucht
One figure leans against another who holds her protectively. The work captures the idea of intimacy as a safe haven — a universal human need for shelter and trust.
The Binding Light
Das bindende Licht
Two identical figures stand facing each other, connected and yet separated by a horizontal beam of light at eye level. The light is both bridge and barrier — it binds them together, forcing them to see each other, unable to look away. The work explores intimacy as bondage and the gaze as obligation.
The Luminous Embrace
Die leuchtende Umarmung
Two figures embrace in darkness, and from their closeness emerges a radiant light that permeates their bodies. The luminescence is not external—it is born from the connection itself. Intimacy as a light source, illuminating both beings from within. The work explores the paradox of true closeness: it generates not only warmth but also light.
The Portal
Das Portal
A solitary figure stands within a luminous archway, framed by radiant light. She is neither fully within nor without, suspended at the threshold between two worlds. The portal itself becomes sacred space, a moment of pure transformation.
Emanation
Emanation
A single androgynous porcelain figure radiates pure light from within, crowned by a luminous halo. The figure stands in absolute stillness, yet emanates profound presence—light flowing outward in rays, transforming darkness into revelation. Emanation captures the moment when inner essence becomes visible manifestation.
The Transparency of Being
Die Transparenz des Seins
A faceless porcelain figure stands in silent elevation, enveloped by a luminous halo of pure light. The body becomes permeable, contours dissolve—between matter and aether, the form hovers in a moment of transcendence. Visibility is understood not as presence, but as permeability. The figure does not vanish; it becomes transparent—a state in which being itself becomes the medium. Light flows through the form, revealing: identity is not a fixed substance, but a permeable process. This is not disappearance, but transformation. The figure transcends its own materiality and becomes pure presence—faceless, nameless, yet radiating intense luminosity.
Threshold of Transformation
Schwelle der Verwandlung
Six faceless porcelain figures stand in silent reverence around a luminous portal. At its center, two beings dissolve into geometric fragments of light—their solid bodies fragmenting into pure energy. The portal is not merely a passage, but the space of transformation itself. It marks the threshold between being and becoming, between matter and light, between identity and essence. The outer figures remain solid, forming a circle of witnesses—a ritual, sacred space where metamorphosis is not feared, but honored. The work examines the moment of transition, that instant when the solid dissolves and something new emerges. The mirror symmetry of the outer figures amplifies the ritual quality of the scene.
Before the Passage
Vor dem Durchgang
A faceless porcelain figure stands at the threshold of pure light, flanked by two witnesses in shadow. The vertical luminous portal divides the space—a boundary between worlds, a moment frozen before crossing. The central figure pauses in contemplation, neither retreating nor advancing, suspended in the liminal space where decision crystallizes into action. The two flanking figures serve as silent witnesses, perhaps representing alternative paths, or the self that was and the self that will be. The work explores the phenomenology of decision-making—that suspended instant where contemplation crystallizes into action. The threshold is not merely a passage, but the space of transformation itself.
The Geometry of Becoming
Die Geometrie des Werdens
A solitary figure stands before a luminous rectangular portal, its body fragmenting into geometric light forms that cascade outward. The figure is transforming into pure geometry, into the mathematical language of becoming. Sharp, crystalline shapes emanate from the figure, suggesting transformation is not loss, but translation into a new form of being.
The Door of Recognition
Die Tür der Erkenntnis
A solitary figure stands before a luminous rectangular portal, confronting its own reflection transformed into pure light. The figure's silhouette remains grounded in darkness, while its mirror image glows with ethereal radiance. This is not mere reflection—it is recognition. The portal becomes a threshold between the self we know and the self we are becoming. In the moment of seeing, we are transformed. The figure gazes upon its luminous counterpart, acknowledging the light that has always existed within, waiting to be witnessed.
Fracture Lines
Bruchlinien
A faceless porcelain figure kneels in deep contemplation, head bowed, hands folded before the face. Dramatic cracks run across the surface like lightning, glowing from within with cool white light. These fracture lines are not signs of failure—they are revelations, following the lines of inner tension. The figure does not resist the breaking; it surrenders to it, and the cracks become pathways for light.
Aura
Aura
A faceless porcelain figure sits in deep contemplation, head bowed, arms wrapped around the knees. The figure is traversed by delicate cracks, but what defines it is the light—a luminous contour that flows along the silhouette, tracing the edges of head, shoulders, arms, and back. This aura emanates from within, an energy field made visible. In moments of solitude and introspection, our inner light becomes most apparent.
The Vertical Axis
Die vertikale Achse
The vertical axis is the oldest symbol of connection—between earth and sky, matter and spirit, the finite and the infinite. In this work, a faceless porcelain figure sits in meditation, and from the center of the chest, a beam of pure light rises vertically, illuminating the face from below. The figure does not seek the light from outside; it becomes the axis itself. The light does not come from above as divine grace, nor from below as earthly fire. It originates in the center—in the heart, in the core of being. The vertical axis is not a path to be traveled, but a state to be realized: the alignment of all that we are with all that is. The figure hovers slightly above the ground, freed from gravity. This is not ascension through effort, but through surrender. The vertical axis is not built—it is revealed when we stop resisting our own nature.
Kintsugi Moderna
Kintsugi Moderna
Where fracture becomes luminescence. This figure carries its brokenness not as damage, but as a map of transformation—electric blue veins coursing through porcelain skin like neural pathways awakening. In the Japanese art of kintsugi, broken ceramics are mended with gold, honoring the history of the object. Here, the cracks glow with voltage, suggesting that what breaks us open may also illuminate us from within. The figure sits in quiet contemplation, weighted by its own electricity. Solitude becomes a conductor. Vulnerability becomes power. The faceless form invites us to see ourselves in the fracture lines—not as flaws to hide, but as evidence of our capacity to carry light through darkness.
Kintsugi Soul
Kintsugi Seele
A porcelain figure sits in contemplation, its body marked by luminous golden cracks. Like the Japanese art of kintsugi, the breaks are not hidden but celebrated—transformed into veins of light that reveal beauty in fragility and strength in repair. The figure embodies the philosophy that our wounds and fractures are not flaws to conceal, but pathways through which our inner light can shine. In the darkness, the golden cracks glow with quiet dignity, mapping a history of breaking and mending, of falling and rising. This is not about perfection, but about the luminous beauty of resilience.
Between Depths
Zwischen Tiefen
A solitary faceless figure stands beside a vertical light portal in a space flooded with water. The reflective surface creates a mirrored reality, exploring themes of self-encounter, solitude, and the tension between immanence and transcendence. The figure does not stand before the light as a goal, but beside it as a companion—witnessing rather than crossing. The water beneath becomes a second reality, a mirror that questions which version is real: the figure above or the reflection below. This is a meditation on Narcissus without a face to recognize, on the search for self in a world where identity has been erased. Between the depths below and the light above, the figure exists in perpetual threshold.
The Space Between Us
Der Raum zwischen uns
Two faceless figures lean toward each other, their luminous auras touching while a dark void remains between them. This work explores the paradox of intimacy: physical proximity yet existential separation. The figures are close enough that their light merges, creating a shared glow, yet the black abyss between them suggests an unbridgeable distance. They stand on the edge of connection, forever approaching but never quite arriving. This is the space where vulnerability meets longing, where presence confronts absence. In their facelessness, they become universal—every relationship, every moment of almost-touching, every recognition that even in our closest encounters, we remain fundamentally alone. The luminous auras suggest that what we share is not our identities, but our light—the essence that transcends the self.
The Congregation
Die Versammlung
A luminous figure stands at the center, surrounded by identical witnesses arranged in sacred geometry. The central presence radiates light while the congregation observes in silent reverence, creating a meditation on individuality within collective consciousness. This work explores the tension between the singular and the many - the one who is illuminated and the many who bear witness. The arrangement suggests both religious iconography and surveillance architecture, raising questions about whether the central figure is chosen, isolated, or simply different. The witnesses do not judge; they simply observe, their identical forms creating a chorus of presence. This is a study of what it means to be seen, to be singled out, to stand in the light while others remain in shadow. Yet the central figure's luminosity is not superiority but vulnerability - to be visible is to be exposed. The congregation becomes a mirror, reflecting back the solitude of being recognized.
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